One particular corduroy quilt, made by Mary Lee Bendolph, really caught my eye. This quilt consisted of nothing more than vertical bars of various 1970s colors. Somehow I neglected to get a photo, but I believe that's it in Kelly Spell's Instagram post from the day (see images 1 and 6 in Kelly's post). Kelly also has a great closeup of a different corduroy quilt.
I also decided to play with the directionality of the corduroy fabrics. Rotating pieces by 90° gives a different look, depending on the lighting, due to the wale. The fabric has a nap too, so that rotating it by 180° can give a different look as well. The "ghost" 9-patch units in the center are created using these different rotations.
In another nod to the Gee's Bend quilts, I did not attempt to make accurate cuts; in my mind it's "intentionally imperfect."
I'm not sure how machine quilting would look on a corduroy quilt, and it seemed inappropriate for a Gee's Bend-inspired quilt anyway -- so I took a class on hand quilting with Jen Kingwell at the 2024 QuiltCon, with this quilt specifically in mind. I used several colors of 8wt Wonderfil thread in an oversized Baptist fan design. (8wt was Jen's suggestion; I had initially purchased even more colors of 12wt Aurifil.) For marking, I used a strip of template plastic with holes punched every half inch up to 18 inches to act as a beam compass.
The corduroy fabrics are from Robert Kaufman; some are 8 wale and some are 14 wale. I really like the wider 8 wale, but there are more colors available at 14 wale.
I used a Cherrywood fabric in teal for the binding.
The back is a Mammoth flannel plaid. This is a heavy, warm, and cozy quilt.
Here's a look at the label:
The Airing of the Quilts Festival in Gee's Bend is now an annual event. I highly encourage a visit sometime!
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